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It Ain’t Over Till The Fat Lady Sings: 10 Steps To Self Possession

28-Oct-2014 By admin Leave a Comment

Alien-Envoy

Alien Envoy Live, 12Bar (Photo: Natasha Zraikat)

Music, verse, song and sound are the manifestation of an emotional experience captured and expressed by the writer, singer or musician. “Three chords and the truth ” as Willie Nelson famously said describing country music. So, as an aspiring artist how do you find a commercial platform that can connect your emotional expression with people without becoming yet another victim of the voracious music business?

Well, one of the solutions is to treat the business like a business. Consider yourself a unique investment opportunity in which your fans choose to invest. Adapt the mindset and build a structure around it. One Irish musician with a substantial history of success and sustainability who has done this is Nick Kelly, well known front man from 90’s indie band The Fat Lady Sings.

He published a list called ” 10 Steps To Self Possession” back in 1997. His enduring wisdom proves that despite technology and the ever evolving music industry model these ten steps still apply. His record company Self Possessed Records was set up as a vehicle to release his debut solo album “Between Trapezes”. These ten steps represent Nick’s philosophy.

1. DON’T WAIT TO BE DISCOVERED:
Making demos to send to record companies is a waste of time: if you’re good enough to be signed, you’re good enough to make records yourself. Understand that you are always completely responsible for your own success, and take that responsibility on.

2. COMMUNICATE DIRECTLY WITH YOUR FANS:
If somebody enjoys one of your shows, but doesn’t leave you an address or some other way of contacting them, you lose a valuable asset.

3. PLAN FOR THE LONG HAUL:
Set yourself long-term artistic goals, rather than short-term commercial ones, and you’ll be happier – and probably more commercially successful in the end, too.

4. EMOTION BEATS TECHNIQUE EVERY TIME:
Technical perfection is impossible to achieve, expensive to attempt, and ultimately pointless. It doesn’t matter how rough the recording is if you manage to squeeze magic into it. And no amount of polish can turn an uninspired recording into an inspired one.

5. BE FOCUSED:
The music industry is one of the most wasteful, short-sighted and poorly-organised businesses there is. You’re unlikely to have the financial resources of a major record label, but you can more than compensate by being smarter, sharper and more flexible. Successful careers are built upon imagination, planning and timing, not big bucks.

6. UNDERSTAND MARKETING:
Music journalists and radio producers receive hundreds of CDs and press releases every week, most of which never get played or read. So learn to differentiate yourself from the competition. Target your communications. Be clear. Be brief. Be timely. Be polite. Don’t be boastful or desperate. Above all, be intriguing.

7. NETWORK:
You’d be amazed how helpful and generous people can be. By the same token, if you can do somebody a good turn, do it. Karma works.

8. DEFINE YOUR OWN SUCCESS:
Do you really want to be an MTV icon as well as a serious artist? Find a way of selling just 5-10,000 albums a year – a laughable pittance by major label standards – and you’ll still be making the music you want to make when you’re 70, earning a very comfortable living and completely independent of the insecurities and vagaries of the music industry.

9. DON’T WASTE MONEY INDULGING YOUR EGO:
Don’t hire musicians, managers, road crew, etc. unless you’re convinced that (a) you really need them, and (b) they’re able to do the job better than you can yourself. Don’t make videos, release promotional singles or plan expensive tours just because other bands do…

10. BE PROFESSIONAL:
Just because you’re small is no reason for you not be efficient, punctual, honest, reliable and courteous in all your dealings. Leave power games and posturing to the insecure.

Nick has crowd and self funded three albums, the latest one is “Loads”, released under the name of Nick’s band “Alien Envoy.” Two hundred and fifty generous souls all pre-ordered the albums at a cost of €25 each “Loads” has been welcomed onto the radio waves with significant airplay and has received massive critical acclaim.

Here’s “Break America”, a beauty of a song about the journey of The Fat Lady Sings across the states, written ironically just before they broke up:

Nick’s 1997 album “Between Trapezes ” won Nick accolade of “Irish Solo Artist of the Year” at the Irish Music Critics Awards for 1998/1999. The critics said “this one has to be a contender for the accolade of album of the decade, let alone the year…(12/12)” – Hot Press. “Faint Heart, Starving Seed, and Crawl invest everyday emotional battlegrounds with powerful dramatic backdrops, as sharp and moving lyrics are shackled to booming melodies…this is a record which deserves to be heard…(4/5)” – Q Magazine.

“Running Dog ” was released in 2005, it was nominated as “Irish Album Of The Year” at the inaugural Choice Music Prize. “This is a strong, surprising and intelligently written record, one of the best this year. ” – Americana UK. “A poet’s soulful challenge to the fates…tidily precise and perfect” – Evening Herald.

Between musical projects Nick has taken his creativity into other areas. He is well known for his work in the advertising industry. He won a Clio award for that Guinness Tom Crean add, which almost became a national treasure. His third short film “Shoe” was long listed for an Academy Award in 2011.

He has just received funding to shoot first feature “The Drummer And The Goalkeeper” from the Irish Film Board. Nick has demonstrated the cross over in music, film and art. He has sustained himself from the initial platform of The Fat Lady Sings, through to advertising, writing and directing and again back to his band “Alien Envoy.” His mindset and crowd funding model has served him well. His talent has ultimately endured. At the end of the day, there’s no arguing with talent. It’s just a question of how you manage it. If it doesn’t work out first time round learn from it and move on. Do it better the next time, cos one thing’s for sure. It ain’t over till the fat lady sings.

Check out Self Possessed Records to find out more about Nick. Alien Envoy are playing in Dublin’s Smock Alley Theatre on Nov.6th. Definitely worth sixteen little euros to experience this sage of songwriting. Tickets from www.entertainment.ie or www.smockalley.com

Post by Ciara Sheahan. I’m a self confessed indie rock n’roller. Live music addict, writer, blogger, festival veteran. Native to Dublin, my degree in Journalism is from The University of Sheffield. With a proven track record in business and a creative side that refuses to recede I’m firmly focused on my future in the music/creative industry.

Filed Under: Global Music Village, Independent Musicians, Music Advice, Music Industry, Music Promotion

Top 5 Tips to Impress A&R Scouts at a Live Show

03-Jun-2014 By admin 1 Comment

 Impress A&R Scouts at a Live-Show.jpg June 3, 2014 1000 × 606 Edit Image Delete Permanently
Thanks to Laurence Malpass from Music Gateway for this article.
Jon Skinner (Music Gateway’s CEO) will be speaking at the Conference in June.

Despite the digital age creeping into every area of our lives, A&R scouts still have a large presence at live gigs, and the art of appealing to them is a subtle but important one. It can mean the difference between a few shows one summer, or that summer you signed your dream deal. So we’ve pulled our heads together and come up with a few things you can do to make sure you’re turning heads.

Performance

This is more than just technical ability and having good music, but the ability to express these things by actually enjoying yourself on stage and playing the crowd. Hyping them up and drawing them in close when it’s appropriate, getting them to follow your energy, and giving them a dynamic and exciting show!
Beyond the music, being on stage is about having presence. Your body language speaks volumes, and if it’s in sync with your music and vibe the performance is that much stronger.

Styling

This is a big part of your image and branding and is a tool for sticking out from the crowd. You can get away with jeans and a hoodie sure, but that’s not memorable. Ultimately it’s the music that’s important, but if your style is in sync with your music and performance it just leaves that much more of a mental impression on someone who goes to gigs for a living.

Bring A Crowd

Obviously a large part of what an A&R scout is looking for is your ability to pack out a venue. If you’re a small band, try and go for smaller venues, it looks much better to have a small room jam-packed with twenty to thirty people, than a large venue with the same amount spread out. Know how many people you can get to your shows, and go for the venues that relate to that number. You will grow as you keep playing, and as you do, the more likely it is that you’ll play a gig where you’ve got a scout hanging about, and when it happens you’ll want to make sure the room is full of die-hard fans that are there to see you play.

After Show Engagement

The show isn’t over until you’ve left the venue, at least not in the eyes of an A&R Scout. They’ll be watching how you conduct yourselves and manage every aspect of your music, from before you get on stage to how you meet and greet the fans afterwards. If you’re selling stuff that’s great, scouts love a band that takes charge of their affairs, it shows that they’re serious about their music and are thinking of the future. I’ll always remember what my music business tutor told me about merch though, “Don’t ask them to buy your stuff at the end of a set, just say ‘We’ll be over by the bar if anyone wants to chat’, and when they come over, don’t ask them to buy it, if you’re holding it casually in your hand they’re much more likely to ask you about it and buy it as if it’s their own idea. You’re musicians, not salesmen.”
This is a tactic that is tried and tested. People don’t go to gigs to buy merch. But they do go to see their favourite bands, and if you invite them to have a chat, and they’re wondering what to talk to you about, and see your CD in your hands, they’re much more likely to offer to buy it, than if you’re shoving it down their throats.
If an A&R scout sees you selling loads of CD’s, bingo.

Memorable Part of the Set

I had a friend who was in a hard rock band, and he always ended his sets by jumping into the crowd, more often than not he got them hyped up enough to be able to surf them. But even on the nights when the crowd weren’t up to the challenge, finishing a song lyric lying in the middle of the floor with the wireless mic (very important part of this technique) was a hugely memorable moment of the night, and will stick in an A&R scouts head long after the gig, and he’s forgotten about all the music and clothes and flourishing touches. I’m not saying you need to literally break a leg every time you ‘jump’ on stage. But having something imaginative, or extreme or clever, or whatever little thing it is that suits your style to capture the attention and hook your scout it’s going to work in your favour. (As long as you don’t actually break your leg, I want to stress that, as that can go pretty wrong, and you probably won’t be hearing from the scout if you can’t stand up afterwards.)

Live gigs are a very important part of any musicians career and the shows should always leave fans desperate for more. Make sure every gig is better than the last, constantly up your game and who knows… you may even find yourself turning the head of your ideal A&R scout.

Filed Under: Artists, Independent Musicians, Music Advice, Music Industry, Music Promotion Tagged With: A&R, live gigs, peformance

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